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  1. I Went to the Dance (J’ai été au bal)

    I Went to the Dance features Cajun and Zydeco greats including Michael Doucet & BeauSoleil, Clifton Chenier, Marc & Ann Savoy, D.L. Menard, and many others.

  2. Kinder Institute Forum | Robert L. Santos

    Census Bureau, in conversation with Ruth N. López Turley, director of the Kinder Institute.

  3. “Stay the Course”: An Interview with Artist Joyce J. Scott

    Jan 16, 2019 - Artist Joyce J. Scott’s work lives at the intersection of craft histories, contemporary art, figurative sculpture, storytelling, and political activism. I am 70 years old and I have always been looking for challenges and to defy myself. No matter what life gives you, stay the course. I’m sharing my love for ancient techniques—specifically African and indigenous techniques that are a part of who I am as well as a part of my culture.

  4. Food, Inc. 2: Back for Seconds

    Food, Inc. 2: Back for Seconds centers on innovative farmers and food producers, as well as activists and prominent legislators who are facing these companies head-on to inspire change and build toward a more healthful, sustainable

  5. American Holidays II: Museums Share Their Traditions—A Virtual Travel Experience

    American Holidays II: Museums Share Their Traditions—A Virtual Travel Experience House museums and historic institutions across America celebrate the holidays by illuminating histories both personal and communal. Bayou Bend …

  6. 8½ (Otto e mezzo)

    Guido (Marcello Mastroianni) is a harried movie director who retreats into his memories and imagination, searching for ideas for a new film. Claudia Cardinale represents Guido’s muse and “ideal woman” he wishes to cast in a …

  7. Three Questions for Christopher Rothko

    Nov 4, 2015 - This group of works has a closer connection to my father. 2. Does Houston offer a special context for your father’s work? I think of Houston as maybe the central Rothko city. What all that adds up to—or maybe what I should say it all comes from—is that connection I feel to this work. Something continually moves me in my father's painting. I talked with Christopher Rothko about the work of his father, the subject of his new book Mark Rothko: From the Inside Out, published this autumn by Yale University Press. 1.

  8. Jazz Age Nightlife: “Sculpted in Steel” Meets “Deco Nights”

    Apr 28, 2016 - Fig. 2, I. Miller Shoe Company, for I. Magnin, Pair of Evening Shoes, c. 1920s Envision the occupants of the Avions Voisin Type C27 riding in style to a swanky nightclub.      Fig. 2. I. Miller Shoe Company, for I. Magnin, Pair of Evening Shoes, c. 1920s, silk and leather, the Museum of Fine Arts, Houston, Museum purchase funded by the Textile and Costume Institute in honor of Susanne Dawley.

  9. Black Art Houston

    —Panel Discussion & Art Preview | “What I Know and When I Knew It: Centering Stories and Artistry in Houston’s Third & Fifth Wards” 12:30 p.m. to 6 p.m. JacksonJay Jones and Terry Wayne JonesMerinda Watkins-Martin and Reginald MartinAnn and Alton McDowell “What I Know and When I Knew It” at the Glassell School of Art receives generous funding from E. A. —Meditation Session | Morning Wellness with the Black Man Project + Black Woman Project 11 a.m. to 12 noon—MFAH on the Move | Bilingual Yoga with FitMix 12:30 p.m. to 2 p.m.

  10. Dancing with Degas

    Nov 18, 2016 - I like this one so much because it is so accurate! DR My favorites are Degas’s sketches. I love seeing the process that Degas went through to make his paintings. Fig. 2. Edgar Degas, Group of Dancers (Red Skirts), c. 1895–1900, pastel, the Burrell Collection, Glasgow. © CSG CIC Glasgow Museums and Libraries Collections. Fig. 3. Fig. 2, Edgar Degas, Group of Dancers (Red Skirts), c. 1895–1900 Many of Degas’s ballerinas are wearing beautiful, bright skirts—some even neon-colored. How do his dancers’ costumes compare to what you wear today?