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  1. William Forsythe Inspires Movement with “Choreographic Objects”

    Jul 2, 2019 - William Forsythe: Choreographic Objects | Trailer #2 from Museum of Fine Arts, Houston on Vimeo.   Acting and Reacting Forsythe’s monumental Nowhere and Everywhere at the Same Time, No. 2 invites visitors to navigate their way through a field of pendulums that swing from a grid on the ceiling, in a mechanized choreographic “I immediately wanted to be all up in that,” Jones said. “I wanted to be around it, in it, under it, suspended in it. I wanted to improvise, I wanted to react to it and react because of it.”

  2. How to Make an Artist’s Manifesto: Recipe for Revolution

    Dec 2, 2015 - Step 2 List demands and declarations in response to wrongdoings. In his pithy style, Tzara wrote that “to proclaim a manifesto you have to want: A.B.C., thunder against 1, 2, 3, lose your patience and sharpen your wings to conquer and spread little ABCs and big ABCs . . .” How to make an artist’s manifesto As Futurist leader F. T.

  3. Certificate Programs

    Subject/Course Credits Art History electives 12 Drawing Fundamentals DRF 1301 3 General electives 6 Beginning Life Drawing DRL 2310 3 Major field of study 24 2-D courses other than major 3 2-D Design 2DD 1303 and Requirements Subject/Course Credits Art History Survey I: Cavemen to Medieval ARH 307 3 Survey II: Renaissance to Contemporary ARH 307-2 3 Modern and Contemporary Art at the MFAH ARH 310 3 Learning from the Masters CER 2221 3 Intermediate Ceramics I 3 Intermediate Ceramics II 3 Advanced Ceramics I 3 Advanced Ceramics II 3 Upper-level ceramics elective 3 Upper-level seminar elective or study trip 3 Total 24 Art History Certificate

  4. Make an Appointment

    The Anne Wilkes Tucker Photography Study Center is open by appointment, Monday–Friday from 10 a.m. to 1 p.m. and 2 p.m. to 5 p.m.

  5. A Closer Look at Vincent van Gogh’s 1887 “Self-Portrait”

    Jan 30, 2019 - raisonné de l’oeuvre peint (Paris: Gallimard, 2000), 32–33. ³ Van Tilborgh and Hendriks, Vincent van Gogh Paintings, vol. 2, 361. Notes ¹ Louis van Tilborgh and Ella Hendriks, Vincent van Gogh Paintings, vol. 2, Antwerp and Paris, 1885–1888, Van Gogh Museum (Amsterdam and Zwolle: Van Gogh Museum/Waanders, 2011), 264. ² Françoise Cachin, Signac: Catalogue His clothes distinguish him as a bourgeois gentleman. A halo of light blue dabs enlivens the neutral background around the head and upper shoulders, separating him from the background.

  6. Conversations about Art

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