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  1. Certificate Programs

    Requirements Subject/Course Credits Art History Survey I: Cavemen to Medieval ARH 307 3 Survey II: Renaissance to Contemporary ARH 307-2 3 Modern and Contemporary Art at the MFAH ARH 310 3 Learning from the Masters Subject/Course Credits Art History electives 12 Drawing Fundamentals DRF 1301 3 General electives 6 Beginning Life Drawing DRL 2310 3 Major field of study 24 2-D courses other than major 3 2-D Design 2DD 1303 and Painting Certificate Requirements Subject/Course Credits Painting Fundamentals I PAI 2220 3 Painting Fundamentals II PAI 2221 3 Intermediate Painting I 3 Intermediate Painting II 3 Advanced Painting I 3 Advanced

  2. Poetry Inspired by MFAH Permanent Collection (Part 2 of 2)

    May 26, 2024Experience the convergence of art and poetry in a special series commemorating the MFAH permanent collection. LionHeart’s poignant performance echoes the essence of the collection's themes through evocative poems. …

  3. “Who’s Behind Black Art” Film & Discussion (Part 2 of 2)

    ProgramAnita N. Bateman, associate curator of modern and contemporary art, introduces the guest speakers and moderates post-film panel discussions with them and director John Campbell.

  4. Dancing the Twist in Bamako

    Mali, 1962: The youth of Bamako dance the twist to rock ’n’ roll music (newly imported from the West) and dream of political renewal. Samba, a young socialist, falls for spirited Lara during one of his missions to the bush.

  5. The Roundup (Beomjoidosi 2)

    MFAH members, students with ID, and seniors (65+) receive a $2 discount. Visiting Guidelines Masks are recommended in Museum auditoriums. Advance tickets are also recommended. The Roundup (Beomjoidosi 2) Directed by Sang-yon Lee(South Korea, 2022, digital, in Korean with English subtitles) Recommended for mature audiences Ma Seok-do—known as “the beast cop”—heads to Vietnam with his unit to extradite

  6. Mary J. Greenfield Smith’s Window into American History

    Mar 22, 2017 - Made with wool and silk threads stitched into linen, Smith’s woolwork picture of 1843 is rather large, measuring 15 1/2 by 25 inches. In 1843, 14-year-old Mary J. Greenfield Smith stitched an elegant woolwork picture in school—surely not imagining that it would end up in a museum’s collection someday. At the time of the American Civil War, Mary J. Hill was one of a small group of women who sewed the Fourth Regiment United States Colored Troops Flag, now in the Maryland Historical Society’s collection.

  7. On View This Fall at the Nancy and Rich Kinder Building: Simone Leigh’s Iconic “Satellite,” Newly Completed for the MFAH; New Modern and Contemporary Exhibitions

    Aug 9, 2023 - Organized by Anita N. Bateman, Associate Curator, Modern and Contemporary Art. In addition, a suite of three thematic exhibitions drawn from the MFAH collections of modern and contemporary art will be on view beginning September 2. Now that the bronze has been released by the foundry, I am delighted to announce the installation of this powerful work, which I am certain will become an iconic presence in front of the Kinder Building.

  8. “Between Sea and Sky” | A Curatorial Webinar (Part 2 of 2)

    Presented in conjunction with the exhibition “Between Sea and Sky: Blue and White Ceramics from Persia and Beyond” Tune in for a free, in-depth exploration of blue and white ceramics across the MFAH collections. Curators from …

  9. Panel Discussion & Art Preview | “What I Know and When I Knew It”

    “What I Know and When I Knew It” draws on the transformative powers of the visual arts and storytelling to change the narrative around aging. Parking Information | Museum Hours | MFAH Campus Map “What I Know and When I Knew It” at the Glassell School of Art receives generous funding from E. A. Michelson Philanthropy. February 18, 2024As part of Black Art Houston, the Glassell School of Art hosts a discussion and art preview showcasing the community program “What I Know and When I Knew It: Centering Stories and Artistry in Houston’s Third &

  10. A Brighter Summer Day (Guling jie shaonian sharen shijian)

    Yang’s patiently observed epic centers on the gradual, inexorable fall of a young teenager (Chang Chen, in his first role) from innocence to juvenile delinquency, and is set against a simmering backdrop of restless youth, rock ’n’