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  1. Ewan Gibbs: Arlington National Cemetery

    Working from unit to unit (bottom to top, left to right), he transfers the imagery to another gridded sheet of paper by making marks approximating the tonal values. Gibbs created the Arlington series with “x” shaped marks in pencil. Over the last five years, his work has reflected a growing interest in U.S. subjects such as Arlington, America’s most celebrated military cemetery.

  2. Rohmer X 2

    Eric Rohmer (1920–2010), a co-founder of the French New Wave, directed over 50 films, in addition to garnering acclaim as a critic and novelist. Among the tributes that poured in upon his death early last year was one from …

  3. Rivette X 2

    A belated tribute to French filmmaker Jacques Rivette, who turned 85 earlier this year, includes the discovery of a film never released in the U.S. and a new print of his enigmatic epic. …

  4. “Houston Chronicle” Top Texas Film Picks

    To celebrate Texas movies, the MFAH and Preview Houston team up for this series showcasing selections from the list of films chosen by Houston Chronicle staffers and readers.  “These are the 50 greatest Texas movies ever. …

  5. X as Intersection: Material Interventions

    About the ProgramThis conversation is part of “X as Intersection,” a four-part virtual series featuring conversations with fellows from the third cohort of the Latinx Artist Fellowship, an initiative of the U.S.

  6. Winterhalter, Meet Worth

    May 11, 2016 - Fashionable women all across 19th-century Europe once clamored to pose for Franz X. Franz X. Winterhalter, Pauline Sándor, Princess Metternich, 1860, oil on canvas, private collection. High Society: The Portraits of Franz X. Winterhalter, on view through August 14, showcases works by both Winterhalter and Worth. (As a Houston Chronicle writer put it, “Eat your heart out, Scarlett O'Hara.”)

  7. X as Intersection | Latinx Artists “Diasporic Legacies”

    Virtual Conversation X as Intersection | Latinx Artists “Diasporic Legacies”Presented by the MFAH and the US Latinx Art Forum How do the legacies of Latin American and Caribbean migration to the United States affect Latinx artists

  8. Snail Mail: A Conversation with MFAH Curator Anne Tucker (part 3 of 3)

    May 17, 2012 - Keith Carter would take a rejected 16 x 20 photograph, write a message on the back, fold it twice, put it into an 8½ x 11 envelope and send it. Some people would tear a photograph in two and write a message on half of it. Jim Goldberg once put a stamp on an 11 x 14 photograph and put that in the mail, and it of course arrived quite damaged. There are people that send postcards every year or for holidays.

  9. High Society: The Portraits of Franz X. Winterhalter

    The comprehensive exhibition High Society: The Portraits of Franz X.

  10. Miguel Ángel Ríos: On the Edge

    They gently roil around each other, bumping, colliding, and ultimately killing themselves off until only one top is left. The final top stands victorious, if only for a moment—it, too, succumbs to the forces of gravity. The use of multiple cameras allows a seamless interplay of motion—a white top, for example, gliding gracefully in front of a row of black tops in single file.