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  1. Azalea Trail’s Blooms Mark Rienzi’s 20th Anniversary

    Feb 1, 2019 - Visit during Azalea Trail on March 1, 2 & 3. In fact, Harris Masterson worked with Gunn to specify color zones in the garden: “I want red up front, and then orange, and this part white, and pink in the back.”  

  2. Archival Online Exhibitions

    The Edward J Wormley Archive: “To Hold Fast to What Is Good” The MFAH Archives acquired the Edward J Wormley Collection, a gift of the John R. Eckel, Jr. Foundation. Wartime Records in the Collection of the MFAH Archives: Exploring the Intersection of War and the Art Community Through archival holdings dating from World War I to the present, this online exhibition explores the various wartime Although considered a Modernist, Edward J Wormley (1907–1995) created affordable, stylish furnishings for American consumers who had neither the budget nor taste for pure Modernism.

  3. MFAH Presents the Portraits, Landscapes and Biblical Paintings of Henry Ossawa Tanner

    Sep 28, 2012 - Raymond J. Horowitz Foundation for the Arts, Inc. “I am delighted that Houstonians will be able to see the most extensive exhibition of Tanner’s work to date,” said MFAH director Gary Tinterow. artist at the highest levels of the international art world at the turn of the 20th century; his role as an elected leader of an artist’s colony in rural France; his unique contributions in aid of servicemen during World War I

  4. Ancient Luxury and the Roman Silver Treasure from Berthouville

    This cache—accidentally discovered by a French farmer in the early 19th century and recently conserved by the J. This exhibition was organized by the J. Paul Getty Museum in collaboration with the Bibliothèque nationale de France, Département des Monnaies, médailles et antiques, Paris. 

  5. The Museum of Fine Arts, Houston, and The Jewish Museum, New York, Announce New Judaica Initiative

    Jun 8, 2022 - TrammellScott J. and Nancy F. The project team is being led by Aimée Froom, MFAH curator, Art of the Islamic Worlds; and Caroline Goeser, W.T. and Louise J. Moran Chair of Learning and Interpretation. I am enormously grateful to The Jewish Museum, New York, for their partnership, and to the Albert and Ethel Herzstein Foundation, in making possible this permanent presence for Judaica and historic Jewish traditions at the MFAH

  6. The 2021 Spring Season at Bayou Bend

    Women in AmericaSunday, March 21, 2 p.m. WaterSunday, April 18, 2 p.m. Shaping Our WorldSunday, May 16, 2 p.m.  

  7. Habsburg Chic

    Aug 19, 2015 -   (2)   Symbols such as a wing and a herald’s staff indicate that this intricately carved cameo is a tiny portrait of the Roman god Mercury.  (5)   For their marriage portraits, Emperor Leopold I and his niece, Infanta Margaret Theresa of Spain, posed in dramatic Baroque costumes inspired by La Galatea, a popular musical from the early days of Viennese opera

  8. The Kodak Snapshot: A Conversation with MFAH Curator Anne Tucker (part 2 of 3)

    Apr 3, 2012 - I knew the old man, I had talked to him, I was quite fascinated by him. And I had photographed him myself. My photograph is not Robert Frank’s photograph. "When I first came into photography, the first time I saw work by Robert Frank, who is a major artist in our collection, I was stunned to see he had photographed a man I knew in my childhood: an elderly black man positioned by In the wake of the Eastman Kodak Co. filing for bankruptcy, I sat down for a chat with Anne Wilkes Tucker, the Gus and Lyndall Wortham Curator of Photography at the MFAH. 

  9. Dangerous Curves: A “Sculpted in Steel” Chat with Ken Gross

    Mar 30, 2016 - Duesenberg launched the Model J—the most powerful and expensive car in America—in 1929, just before the stock market crashed. I asked Ken some PG-rated questions to figure it out. Why do cars lend themselves so readily to sensuality? (Is it really just the curves?)

  10. Rembrandt, Van Dyck, Gainsborough: The Treasures of Kenwood House, London

    Dec 9, 2011 - When painting Miss Murray (1824–26), a portrait of a three-year-old girl gathering flowers, Thomas Lawrence wrote to his patron, Miss Murray’s father, “All I can do is snatch (and I hope for some century or so secure) this fleeting Anderson Foundation; Fayez Shalaby Sarofim and Meredith J. Long Endowment for Exhibitions; Mr. and Mrs. Rodney H. Margolis; and Cyvia and Melvyn Wolff. Additional public program highlights are listed below: Friday and Saturday Afternoon Lecture Series, June 2012 Friday, June 1, at 1:30 pm, and repeated on Saturday, June 2, at 4 p.m.: Van Dyck and Gainsborough: Painters