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Showing results for ? https://viagrasilo.top 부족한 성욕을 불러일으키는 ‘여성 비아그라’ 등장 전후의 성 문화 변화

  1. International Sweethearts of Rhythm | Maxine Sullivan: Love to Be in Love

    Maxine Sullivan: Love to Be in Love is a portrait of the largely forgotten jazz vocalist who rose to fame in the 1930s and inspired a generation of younger artists, including Ella Fitzgerald.

  2. Space Is the Place

    This unique iteration of Ra’s musical concepts and social commentary is a blend of science fiction B-movie, blaxploitation flick, and concert documentary. Jazz on Film presents a special 50th-anniversary screening of the Afrofuturist classic Space Is the Place. Avant-garde jazz mystic Sun Ra and his Intergalactic Myth-Science Arkestra land their yellow spaceship in Oakland offering an alter-destiny to Black youth, including battling the FBI, NASA, and a supernatural pimp named “The Overseer

  3. Elis and Tom (Elis & Tom, só tinha de ser com você)

    A number of contributors share their memories of the sessions, the artists, and the impact. Generous support has been provided by Gerry Aitken, Richard Levy and Dinah Chetrit, and Anne Tucker and Robert Morris.

  4. Let’s Get Lost

    Preceded By Jammin’ the Blues (1944, 10 minutes, 35mm), a jazz document celebrating its 80th anniversary. Shown here in a new 4K digital restoration, the bittersweet portrait Let’s Get Lost intercuts gorgeous black-and-white footage of the latter-day Baker with the young musician in archival footage and photographs by William Claxton

  5. Power Alley (Levante)

    Set in São Paulo, the story follows Sofia, a spirited teen volleyball player from a modest background whose life takes a dramatic turn when she faces an unwanted pregnancy. Sofia is surrounded by a supportive team, including trans and nonbinary members, making the film a vivid exploration of queer sisterhood and resilience against the odds. The gripping Brazilian drama Power Alley weaves a tale of personal struggle and societal challenges.

  6. Disco Boy

    The charismatic Franz Rogowski (Passages; Transit) stars as a Belarusian immigrant haunted by his actions while serving in the French Foreign Legion. The Guardian calls Disco Boy “a visually thrilling, ambitious, and distinctly freaky adventure into the heart of imperial darkness . . . or an alternative reality.” 

  7. Dial M for Murder

    “Alfred Hitchcock’s thriller is a precision-engineered delight.” —Telegraph Around Houston Alley Theatre presents a new adaptation of the “Dial M for Murder” stage play from May 31 to June 30. He has written a number of plays as well as a rock musical adaptation of L. Frank Baum’s “Ozma of Oz.” This film has been moved to Brown Auditorium Theater, instead of Lynn Wyatt Theater as originally scheduled.

  8. Gallery Concert “Baroque Music in the Americas”

    All Learning and Interpretation programs at the Museum of Fine Arts, Houston, receive generous support from H-E-B; Institute of Museum and Library Services; Sempra Foundation; the Brown Foundation, Inc.; the Houston Livestock The Bach Choir presents a program of music composed in the Americas during the lifetime of Johann Sebastian Bach. This concert is presented as part of the Bach Society Houston Series. 

  9. Discussion: Silversmithing “Crowning the North: Silver Treasures from Bergen, Norway”

    All Learning and Interpretation programs at the Museum of Fine Arts, Houston, receive generous support from H-E-B; Institute of Museum and Library Services; Sempra Foundation; the Brown Foundation, Inc.; the Houston Livestock As a metalsmith, Ackelmire is interested in the ways people make, keep, alter, and use objects for emotional, superstitious, and practical purposes. The discussion is followed by a tour with curator Misty Flores. Plan Your Visit Tickets to this event are free with Museum admission. Capacity is limited.

  10. The Crime Is Mine (Mon crime)

    After a struggling actress stands trial for the murder of a lascivious producer in 1930s Paris, she ascends to scandalous stardom. A new life of fame, wealth, and tabloid celebrity awaits—until the truth comes out. Isabelle Huppert appears as a fading silent-film star in François Ozon’s frothy story of murder, romance, blackmail, girl power, and a bit of French film history. As Paste observes, “the costumes by frequent Ozon collaborator Pascaline Chavanne are all divine, with not a wig out of place. The Crime Is Mine has layers of textbook farce decorated with a confectioner’s critique.”