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2013 Core Exhibition
Established within the Glassell School of Art in 1982, the Core Program is designed for highly motivated artists who have completed their undergraduate or graduate training and are working to develop a sustainable practice.
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Southern Exposures: The Photography of Sally Mann
Feb 14, 2019 - The exhibition traces her artistic development and wide-ranging subjects, from the highly personal images that she made of her children beginning in the 1980s to her recent monumental photographs of African American men, and from
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How to Apply to the Core Program
If you have questions, please contact Joe Eldredge, Core Residency Program Coordinator: jeldredge@mfah.org The Core Program awards residencies to exceptional, highly motivated visual artists and critical writers who have completed
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The MFAH Highlights Art, Science, and Technology in Exhibition of Cutting-Edge Design Projects by Pioneering Dutch Designer Joris Laarman
Apr 12, 2018 - Organized by the Groninger Museum, Joris Laarman Lab: Design in the Digital Age explores the highly progressive qualities of Laarman’s work, both aesthetically and technologically. 65 works in “Joris Laarman Lab: Design in the Digital Age” showcase the highly innovative technology and furniture forms created by the designer over the course of his career HOUSTON—April 12, 2018—From furniture generated
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HOME—So Different, So Appealing
Despite the political, cultural, and religious affinities they share, these two broad and highly diverse groups have been, until now, treated separately from one another.
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Roman Vishniac Rediscovered
Vishniac's career spans more than five decades, ranging from early engagements with European Modernism to highly inventive color photomicroscopy.
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Elegant Perfection: Masterpieces of Courtly and Religious Art from the Tokyo National Museum
The exhibition covers essential themes and traditions in Japanese art and culture, illuminating the relationship between the rise of Buddhism in Japan and the development of a highly refined court culture.
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Between Sea and Sky: Blue and White Ceramics from Persia and Beyond
Chinese blue and white porcelain from the Ming dynasty was highly prized and collected by Islamic courts in Iran, Turkey, and India.
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The David B. Warren Symposium
Advance tickets and registration are highly recommended.
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“Picasso Black and White” Opens February 24 at the MFAH
Dec 20, 2012 - Giménez also explains that Picasso made highly effective use of black, white and gray in his grisaille painting, evoking textural and sculptural qualities. Finally, the highly sexualized works of his twilight years feature graphic black and white drawing, at times tender, but always vigorous, and convey the direct mode of spontaneous and raw expression that is so typical of Picasso