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  1. Spotlight on the Iranian Film Festival

    Jan 2, 2020 - Both Cold Sweat and When the Moon Was Full are award winners directed by women.      Focus on Women Dramas like Cold Sweat, Orange Days, and When the Moon Was Full showcase the powerlessness some Iranian women can feel in their marriages and careers. Left to right: Cold Sweat (January 25) / Orange Days (January 19) / When the Moon Was Full (January 25) Inside the Criminal Justice System Thrillers like Just 6.5 and The Warden, recipients of top prizes at the annual Iran

  2. “Pre-Code” Films Explained: 3 Questions

    Jul 13, 2019 - The “Pre-Code” Era was a short time, roughly 1931 to 1934, when American movies were at their most raucous and racy, a time when illicit sex and violence were common themes. The term “Pre-Code” is actually a misnomer. The films just don’t have the same effect when seen at home. Many of them are screened in 35mm prints, struck from the original camera negatives at the Library of Congress.

  3. Walk Away Renee

    Oct 31, 2012 - When did your interest in film begin? This was way back when their films existed only on bootleg VHS or Betamax tapes, and these kinds of films inevitably replaced my love for horror films. When I was about 12, I was hanging out with these older film snob types in Houston (have no idea how I even met them) and they exposed me to the likes of Paul Morrissey and John Waters, etc.

  4. Capturing “Inverted Worlds”: A Talk with Vera Lutter

    Feb 8, 2016 - Gallery view of Inverted Worlds I wanted to photograph Venice because I was interested in seeing when the city floods, when Venice’s reflections are suspended underneath the city itself. I think later on when I started photographing, I subconsciously thought of that. The monumentality, the technology, and the sort of inhumane aspect, they drive me. Courtesy Gagosian Gallery Hear more from Vera Lutter when she returns to the Museum for her artist’s talk on February 23. The exhibition, free with general admission, is on view in the Beck Building through March 27.

  5. Following the Road to “Aferim!”

    Jun 1, 2016 - When did you first encounter Aferim!, and how did you decide to release it? I first heard of Aferim! As always, when a film gets rave reviews in New York, there are some “important people” who ask to see it. when it had its world premiere at the Berlinale (Berlin International Film Festival) last year, but I was unable to get a ticket. I really made an effort; I even went to the sales agent to beg for one!

  6. Yayoi Kusama “Aftermath of Obliteration of Eternity”

    Yayoi Kusama (Japanese, born 1929) was living in New York when she created her first Infinity Room in 1965. An MFAH ambassador will brief you on where to go and what to do, and will alert you when it is time to exit the room. Can I enter multiple times? When you visit this installation, you are invited to step into the room and stand on the central platform. Over time, a delicate, shimmering mirage unfolds, as lights ignite and are mirrored on every surface.

  7. Wangechi Mutu “The End of carrying All”

    “I’m aware that when I’m making collages and my drawings I’m fabricating, I’m concocting. But when it comes to video, I’m there, I’m in it. I’m alive and being captured in time and space.”

  8. Virtual Cinema: Heading West with “The Grey Fox” and “Thousand Pieces of Gold”

    Jun 10, 2020 - In 1978, however, he was plucked out of obscurity when director Alan J. Pakula cast him as an aging saddletramp in Comes a Horseman. Houston-based film critic Joe Leydon reviewed both art-house westerns when they premiered, and he revisits them here. They’re not your grandfather’s westerns. Indeed, when Philip Borsos’s The Grey Fox and Nancy Kelly’s Thousand Pieces of Gold kicked off their theatrical runs back in the day, they opened at Houston art houses instead of multiplexes, largely because of their respectful

  9. A Force of Color: Painting-in-Action with GONZO247

    May 13, 2020 - When I became more established as an artist, I crossed paths with the Eastwood Academy to do art projects with the students. The only art I had access to was on the street, when I was a captive audience in the back seat of my parents’ car. That mural inspired me and other kids to become artists. When an audience can see a finished work and know what it took to get there, they have a deeper appreciation. What were the high points of the afternoon? First, I saw an awesome, diverse crowd.

  10. Hong Kong Cinema Meets MFAH Films for “Chicken and Duck Talk”

    Jan 30, 2017 - It’s always special when members of the Museum’s subcommittees share their areas of expertise with our audiences. Her book, “Arresting Cinema: Surveillance in Hong Kong Film,” is available for purchase in the MFA Shop and the box office on nights when films are scheduled. When I first visited Hong Kong, I couldn’t help but notice how surveillance is an inescapable part of the urban fabric: Guards, security cameras, and ID checks are everywhere, and the people often seem quite habituated to it.