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  1. Texas Poet Laureate | A Celebration

    Charles W. His book Why I Am Like Tequila won the 2019 John A. Robertson Award from the Texas Institute of Letters.

  2. Azalea Trail’s Blooms Mark Rienzi’s 20th Anniversary

    Feb 1, 2019 - Today, with help from the Garden Club of Houston and Rienzi’s garden staff, the color palettes and plantings remain true to the Mastersons’ and Gunn’s plans. In fact, Harris Masterson worked with Gunn to specify color zones in the garden: “I want red up front, and then orange, and this part white, and pink in the back.”  

  3. Concert | “Golden Worlds: The Portable Universe of Indigenous Colombia”

    The program features Héctor González’s “Preludio,” Carlos Augusto Zambrano’s “Suite I for Solo Cello,” and Diego Vega’s “String Quartet.” First performance from 6:30 p.m. to 7:30 p.m. Kress Foundation; The Brown Foundation, Inc.; Houston Livestock Show and Rodeo; Houston Junior Woman's Club; Sharon G. Dies; Sterling-Turner Foundation; Susan Vaughan Foundation; and additional generous donors.

  4. Separate Studies: Jack Whitten’s Untold Sculpture Practice

    Apr 25, 2019 - At the media preview for the exhibition, the artist’s widow, Mary Whitten, said “Just so you know, I always thought it was a deer … it’s a llama. Why he picked a llama? I don’t know. Surprises about him.” “I had less of a connection to these early works because we were moving from house to house in Crete,” Mary Whitten said.  Installation view of Odyssey: Jack Whitten Sculpture, 1963–2017, featuring The Guardian I, For Mary. Rediscovered Treasures Throughout his career, Whitten kept these two bodies of work separate.

  5. Making Holiday Magic, One Track at a Time

    Dec 15, 2016 - When designing and creating the model, I kept in mind ease of disassembly for transport and storage. Four tables are joined to support the mountain, which I built in sections that can be fitted around the 12-foot Christmas tree at the center of the Spiegeltent. To sculpt the mountain, I glued together layers of Styrofoam planks—the same planks normally used to insulate homes—and decorated the foam with paint, flexible grout, and miniature trees.

  6. Operating on Art: Treating Walker Evans’s “Banda Headdress”

    Aug 1, 2014 - After this—and countless other valuable experiences I have had at the MFAH—I look forward to demonstrating everything I learned during my graduation presentation and in my new fellowship position this fall in San Francisco. Over the past year, I have had the privilege of completing my internship with the wonderful staff and art collections at the MFAH. I was then able to stabilize the tear by: Mending with gelatin adhesive Reinforcing the back with Japanese paper and wheat-starch paste Retouching around the tear using watercolors Each step was performed using

  7. Every Dot Knows Where It Is: A Chat with Pipilotti Rist

    Jun 26, 2017 - I read your quote “I am interested in the combination of nature and technology; these are not two different things,” and I really liked that idea. How do nature and technology meld in this exhibition? Compared to other artists, I work very collaboratively. And in the studio, I only have one full-time person. The CGI for Worry Will Vanish is by Elefant Studios, Zurich, and all the real footage is from my own camera.

  8. Powell Library FAQs

    May I check out Library materials? The Museum’s Libraries are non-circulating libraries. Therefore, our visitors use library materials in the reading room. Do I have to pay admission to use the Library? Visiting the Library is always free. If I’m at the Powell Library and want an item from the Hirsch Library, will you transfer an item for me? Yes. How do I have an art object appraised or conserved? Art Appraisals Museum personnel do not appraise works of art or recommend individual appraisers because of a potential conflict of interest.

  9. Jazz & Juleps at Bayou Bend

    Charles W. Tate; and the James William Glanville and Nancy Hart Glanville Endowment. . Learn more about Bayou Bend Collection and Gardens Education programs at Bayou Bend receive generous funding from Houston Junior Woman's Club; Sharon G.

  10. Virtual Event “Magic & Mystery in Early America”

    Charles W. Tate; and the James William Glanville and Nancy Hart Glanville Endowment. Dies; Susan Vaughan Foundation; Houston Junior Woman’s Club; Mary Lynn and Steve Marks; Bobbie Nau; William A. and Madeline Smith Charitable Trust; and additional generous donors.