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Showing results for ? https://viagrasilo.top 부족한 성욕을 불러일으키는 ‘여성 비아그라’ 등장 전후의 성 문화 변화

  1. Masterworks by Michelangelo and his contemporaries on view at the Museum of Fine Arts, Houston, in March 2018

    Jan 31, 2018 - Additional highlights include two of Michelangelo’s finest monumental drawings: Venus Kissed by Cupid (c. 1535) and Roman Soldiers (c. 1546), a large-scale preparatory drawing for the left section of The Crucifixion of Saint Peter About the Museo e Real Bosco di Capodimonte, Naples The origins of the Museo e Real Bosco di Capodimonte date back to 1738 when King Charles VII of Naples and Sicily (later Charles III of Spain) planned a hunting lodge on Capodimonte The exhibition is completed by a number of drawings by Michelangelo’s contemporaries, drawn from the collections of the Museo e Real Bosco di Capodimonte, that illustrate the role and importance of drawing in Renaissance Italy

  2. Groundbreaking exhibition brings centuries of royal treasures from Jodhpur, India, to the U.S. for the first time in March 2018

    Jan 8, 2018 - , where H. Durga D. Agrawal  National Endowment for the Arts The E. Rhodes & Leona B. Carpenter Foundation Eddie and Chinhui Allen Milton D. Rosenau, Jr. and Dr. Ellen R. Gritz  Paul and Manmeet Likhari Mr. and Mrs. H. Modernism on the Ganges is on view in Houston from March 3 through June 3, 2018.  

  3. MFAH Presents the 23rd Annual “Eye on Houston: High School Documentary Photography” Exhibition

    Jan 8, 2018 - Participating students are from Bellaire High School, Booker T. Utilizing photography as a tool, these student photographers document their perspectives. Eye on Houston invites students to offer a glimpse into their daily lives, experiences, and personal stories. Each generation witnesses Houston through new eyes, seeing and experiencing a fresh incarnation of the city.

  4. Museum of Fine Arts, Houston, Announces the Jeanie Kilroy Wilson Endowment for the Curator of American Painting and Sculpture

    Dec 14, 2017 - HOUSTON—December 7, 2017—Gary Tinterow, director of the Museum of Fine Arts, Houston, today announced the establishment of a newly endowed position, The Jeanie Kilroy Wilson Curator of American Painting and Sculpture. In addition, she has contributed to or co-authored a number of publications during her tenure at the Museum. The Campaign for the MFAH supports the $350-million expansion of the Susan and Fayez S. Kilroy has been a longtime member of the Bayou Bend Collection and Gardens Committee and donor to Bayou Bend.

  5. Six Major American Museums Announce Continuation and Expansion of the Andrew W. Mellon Undergraduate Curatorial Fellowship Program

    Nov 28, 2017 - A place that welcomes everyone. A world-renowned collection. A landmark building. Mellon Foundation is a continuation of the initial grant awarded in 2013. The Andrew W. It will also help to diversify a field that needs to address this issue in a thoughtful and forward-looking way.

  6. “Extravagant Objects: Jewelry and Objets d’Art from the Masterson Collection” at Rienzi

    Nov 17, 2017 - Opened to the public in 1999, Rienzi houses a substantial collection of European decorative arts, paintings, furnishings, and porcelain, and an extensive holding of miniatures. Rienzi welcomes some 19,000 visitors each year for tours, family programs, lectures, concerts, and a variety of special events. Media Contact Sarah Hobson, publicist 713.800.5345 / shobson@mfah.org from the Masterson Collection at Rienzi Dates November 18, 2017–July 29, 2018 • Changed from March 18 as of January 2018 Overview Extravagant Objects: Jewelry and Objets d’Art from the Masterson Collection features a

  7. First Phase of MFAH Campus Transformation Opens in May 2018

    Nov 14, 2017 - By the early 1970s, growing enrollment led to plans for a dedicated building, with a founding gift by MFAH trustee Alfred J. Glassell, Jr. Elevated a few steps up from street level, the plaza will have moveable seating, a grove of shade trees, and a water feature that can be a shallow reflecting pool or activated splash fountain, with rising jets that both animate In addition, the 80,000-square-foot building will house a satellite of the Museum’s MFA Café and a 75-seat auditorium.

  8. “HOME—So Different, So Appealing” Travels to the Museum of Fine Arts, Houston, in November

    Oct 30, 2017 - Randall H. Jamail  Jorge and Darlene Pérez  Sofia Adrogué and Sten L. Gustafson Samuel F. Gorman Linda and George Kelly SICARDI AYERS BACINO Mark and Mary Troth   Ileana and J. “For the exhibition’s curatorial team, home denotes not so much a physical or geographical place as a focal point within a dynamic network of relationships that encompass from the individual to the family, the neighborhood, the Central to this section is Miguel Ángel Rojas’s Nowadays (2001/2008), a text-b ased work made of coca leaves from which the exhibition title is drawn.

  9. The Museum of Fine Arts, Houston, Presents “Bestowing Beauty: Masterpieces from Persian Lands” in November

    Oct 2, 2017 - A familiar subject in Persian poetry and art is that of the rose and the nightingale (gul u bulbul). Earthly images of love and longing include a pair of tightly embracing lovers on a slim lacquer pen case. Celebrating a landmark agreement between the Museum of Fine Arts, Houston, and renowned private collector Hossein Afshar, works from these holdings will be presented in a series of special exhibitions over a five-year period at

  10. “David Levinthal: Photographs 1972–2016” Explores Themes Central to American History, Identity, and Consciousness

    Sep 27, 2017 - Donated by Donald Rosenfeld, John A. MacMahon, and an anonymous donor, the photographs will be presented alongside a selection of Levinthal images already held by the Museum, providing a rich overview of the artist’s work. The department displays highlights of the collection on a rotating basis in A History of Photography: Selections from the Museum’s Collection as well as in temporary installations and special exhibitions. Evoking the visual language of photojournalism, pornography, television, film, and religious art, they elicit a response not to the actual moment or event or object, but to the place it holds in a collective American consciousness