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  1. Charulata (The Lonely Wife)

    Ellen R. GritzChitra Kumar and Kumar BashyamPaul and Manmeet LikhariNidhika and Pershant MehtaDrs. Kumara and Usha Peddamatham Special exhibition programming is made possible by The Medha and Shashank Karve Endowment Fund.

  2. Core Program Series | Virtual Lecture | Ylinka Barotto

    Barotto has also curated for the Magazzino Italian Art Foundation and Italian Cultural Institute in New York; served as assistant curator at the Solomon R.

  3. Radical: Italian Design 1965–1985, The Dennis Freedman Collection

    Generous funding for this exhibition is provided by: John R. Eckel, Jr. Foundation The Omena Fund Kirksey Architecture Consulate General of Italy in Houston Kim and Al Eiber

  4. Ragnar Kjartansson: The Visitors

    Generous funding for this exhibition is provided by: John R. Eckel, Jr. Foundation Luhring Augustine Nina and Michael Zilkha Bettie Cartwright Jereann and Holland Chaney

  5. Home Is an Intimate Space: Amalia Mesa-Bains & “Transparent Migrations”

    Dec 1, 2017 - I felt from the very beginning, when I learned of this exhibition, that this was a place for my work, because I had a long history of this theme. What is significant about having your work on view in Houston? I talked with Mesa-Bains about the installation. What do you hope visitors take away from Transparent Migrations? I think it’s a work that invites contemplation. I am a first-generation Chicano [a person of Mexican origin or descent], and one of the roles I occupied was that of someone who made ofrendas—so most of my early work was centered around the home altar.

  6. Following the Road to “Aferim!”

    Jun 1, 2016 - I really made an effort; I even went to the sales agent to beg for one! I was excited to see that it was programmed at the Tribeca Film Festival in New York a few months later, so I finally got to see it. I first heard of Aferim! when it had its world premiere at the Berlinale (Berlin International Film Festival) last year, but I was unable to get a ticket. I was so impressed that I went back to see it again the next night—something I’ve only done two other times in my life! Can you put Aferim! in the context of the Romanian New Wave?

  7. Meet the Chef: Marlies Wasterval

    May 26, 2016 - I personally am not a brunch eater, but I love to serve it! What’s your favorite part about working at an art museum? I think the most appealing change is having running specials. The regular menu is great, but it’s also a lot of fun for me—and the customers too, I think—to try something new every week. Also, I love the brunch. When I was growing up, my dad lived just down the street from where I work now—so when we came to his house, we spent a lot of time in museums, including the MFAH. I find a lot of comfort in this little corner of town.

  8. Get to Know the “Bhogi Yogi” & Join Us on Sundays for “MFAH on the Mat”

    Apr 15, 2020 - I normally assess myself in the morning and take it from there, so the type of yoga I practice changes depending on how my mind and body feel that day. I meet in the middle of both. Want to see more? I love visiting my friends at Empower Fitness Lab, where I cycle. How would you describe your personal yoga style? Mindful. I find myself in the middle of Yogi and Bhogi, fighting to find moderation in Bhoga and intense attention in Yoga.

  9. History Book Club “The Gulf: The Making of an American Sea”

    Charles W. Tate; and the James William Glanville and Nancy Hart Glanville Endowment. The History Book Club presents free discussions about literature and art, and you’re invited. Dies; Susan Vaughan Foundation; Houston Junior Woman’s Club; Mary Lynn and Steve Marks; Bobbie Nau; William A. and Madeline Smith Charitable Trust; and additional generous donors.

  10. MFAH Films Keeps the Light Alive

    Aug 2, 2016 - I love the clacking sound of the projectors when they’re going; I take pride in keeping the machines running smoothly and making perfect reel changes. On the one hand I feel sad because I’m a dinosaur, a rare breed. I don’t much care for the digital world. There are cool aspects about it, of course: A lot of things are easier, faster, and cheaper, although I really don’t like that focus. It’s less human.