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Private Desert (Deserto Particular)
When Sara, his Internet love affair, goes missing, he drives to northeast Brazil to search for her. Thousands of miles from home, Daniel meets a man who can put the two in touch again, though under very specific conditions. A risk of exposure to COVID-19 exists in any public setting. In the interest of your personal safety and community health, please observe all precautions set forth by the MFAH—learn more here.
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Art Activity: Let’s Make Some Noise
Aug 27, 2020 - Follow along with the video and how-to guide. Download the activity guide Learning and Interpretation programs receive generous funding from the Jerold B. Arranging Colors & Music The works of artist Stanton Macdonald-Wright (1890–1973), including Arm Organization, compare color to music and are among the first abstract paintings in American art. Compare color to music, and create your own sound maker! This at-home, family-friendly art activity is inspired by Stanton Macdonald-Wright’s 1914 painting Arm Organization, from the MFAH collection of American art.
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Movie Night with MFAH Films “Beyond the Visible: Hilma af Klint” and “The Times of Bill Cunningham”
May 1, 2020 - Beyond the Visible: Hilma af Klint (May 6–19) The prolific abstractions of Hilma af Klint continue to emerge from obscurity. See the Trailer • The Times of Bill Cunningham | WATCH HERE (MAY 6–19) Your purchase ($4.99) supports the MFAH and provides access to the film for three days. “Marvelously intimate” —Time magazine Watch the Films • Beyond the Visible: Hilma af Klint | WATCH HERE (May 6–19) Your purchase ($12) supports the MFAH and provides access to the film for five days.
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Conquest & Alliance: The Lal Dera (Red Tent) of “Peacock in the Desert”
Jul 11, 2018 - It is similar to tents erected for rulers in encampments during military campaigns to match the splendor of royal residences. Hit “play” to learn more from Mahrukh Tarapor and Karni Singh Jasol, co-curators of “Peacock in the Desert”; and Gary Tinterow, MFAH director.
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Minari
Visiting Guidelines Masks are required to be worn during films and programs inside Museum auditoriums. Capacities are limited, and advance tickets are recommended. A risk of exposure to COVID-19 exists in any public setting. The heartwarming Minari follows a Korean American family in the 1980s as they move to an Arkansas farm in search of their own American Dream.
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Clarissa Tossin: White Marble Everyday
Tossin (born in Brazil in 1973) finds grace in the elaborate choreography of this arduous and repetitive task, compressing the daily four-hour ritual to less than six minutes. A champion of Brazil’s Communist Party, Niemeyer declared his architecture was “for the people,” but as Tossin demonstrates, his creations can be sustained only by the people Niemeyer claimed to serve. Constructed to displace the historic capital of Rio de Janeiro in 1960, Brasília has been celebrated internationally for its radical conception of a utopian city, following the master plan of Lúcio Costa and shaped by the visionary
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New Light on Old Masters: European Art from Houston Collections, 1300–1700
The Renaissance bore witness to an emergent sense of individualism expressed by the advent of portraiture and to increasingly naturalistic depictions of the divine and earthly realms. In the Medieval period, gold-ground paintings, stained glass, and illuminated manuscripts gave material form to the transcendent hope of salvation.
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Hidden Hands: Invisible Workers in Industrial England
These technologies and techniques allowed manufacturers to create wares to appeal to a broader and more diverse audience.
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Grand Designs: Neoclassical Taste in the 18th Century
Throughout the 18th century, thousands of young aristocratic tourists traveled to Italy to take part in the Grand Tour. Many of them visited archaeological sites and purchased antiquities to decorate their grand houses back home.
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Made for Magazines: Iconic 20th-Century Photographs
The images needed to command a reader’s attention and entice a passerby to stop and purchase the publication. Magazines grew quickly in number and specialty, to a peak reached between 1920 and the 1980s.