► Please note: The February 5 screening takes place in the American General Conference Room, located on the mezzanine level of the Beck Building. The February 26 screening is in Brown Auditorium Theater as usual.
Preceded by Ousmane Sembene’s first film, the short Borom Sarret (1963, 20 minutes)
There’s a very contemporary feel to this early classic of post-colonial African cinema, presented in a new digital restoration on the occasion of its 50th anniversary. The story follows Diouana (a riveting performance by Mbissine Thérèse Diop), a young woman who moves from Dakar to Antibes to work for the wealthy French couple who had employed her as a nanny in pre-independence Senegal. Diouana anticipates an exciting new life in France, but her hopes are dashed by her employers’ harsh treatment, driving her to despair. Made on a modest budget, the film is stylistically linked to Neorealism.
“The unsynchronized dialogue … gives the action a dreamlike quality and infuses an objectively grim, realistic story with poetry and longing.” —New York Times