Films Week of Saturday, October 26, 2024-Friday, November 1, 2024
Grounded in Clay: The Spirit of Pueblo Pottery Through January 12, 2025
This traveling exhibition highlights Pueblo voices and aesthetics, offering an understanding of Pueblo pots as vessels of community-based knowledge and personal experience.
07 Nov Thu / 2024
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Tendaberry
7:30 p.m.—9:30 p.m.Houston Cinema Arts Festival
The opening-night selection is a kinetic portrait of Dakota (Kota Johan), a twentysomething New York City transplant adrift in post-pandemic Brooklyn. When her boyfriend (Yuri Pleskun) is called back to his native Ukraine to care for his ailing father, Dakota is forced to navigate the city and its hardships alone and pregnant.
09 Nov Sat / 2024
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Candy Mountain
2:30 p.m.—4:15 p.m.Houston Cinema Arts Festival
The criminally under-seen rock ’n’ roll road movie from Robert Frank and longtime collaborator Rudy Wurlitzer sees Kevin O’Connor as a down-on-his-luck musician looking to strike it rich by locating elusive guitar-maker Elmore Silk, whose creations turn a major profit in the music scene.
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Basquiat in B/W
7:30 p.m.—9:30 p.m.Houston Cinema Arts Festival
From visual artist and filmmaker Julian Schnabel comes an evocative personal rendering of artist Jean-Michel Basquiat, told in a series of vignettes tracing his turn from street kid graffiti artist to one of the most influential figures of the 20th century.
10 Nov Sun / 2024
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Bird
5:30 p.m.—7:30 p.m.Houston Cinema Arts Festival
A striking coming-of-age tale that hides its magic in plain sight, Bird follows 12-year-old Bailey, who lives with her single father, Bug, and brother Hunter in a squat in North Kent. Bug struggles to find time for his children, leading Bailey to seek adventure elsewhere. Leaving the squat, she meets Bird, an eccentric dreamer who dares Bailey to spread her wings.
13 Nov Wed / 2024
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I'm Not Everything I Want to Be (Jeste nejsem, kým chci být)
7:30 p.m.—9 p.m.Houston Cinema Arts Festival
In the last decades of the Soviet Union, a young, queer female photographer breaks free from the constraints of the repressive Czechoslovakian regime and embraces the underground hedonism of the times on a wild journey to freedom and self-acceptance.
