Calendar Week of Friday, June 14, 2024-Thursday, June 20, 2024
![Raqib Shaw, Ode to the Country Without a Post Office, 2019–20, acrylic liner and enamel on birchwood](https://static.mfah.com/images/raqib-shaw-ode-to-country-without-post-office.13532762637338831198.jpg?width=540&height=540&bgcolor=blur)
Raqib Shaw: Ballads of East and West Through September 2, 2024
Raqib Shaw blends Eastern and Western influences to create mesmerizing works of art that merge fable, history, and autobiography.
31 Jul Wed / 2024
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Meiji Modern: Fifty Years of New Japan
Drop-in Tour | “Meiji Modern: Fifty Years of New Japan”
1:30 p.m.—2:30 p.m.Experience an extraordinary look at Japan’s Meiji era.
01 Aug Thu / 2024
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Evil Does Not Exist (Aku wa sonzai shinai)
7 p.m.—9 p.m.Ryûsuke Hamaguchi’s follow-up to his Oscar-winning Drive My Car is a foreboding fable on humanity’s mysterious, mystical relationship with nature.
02 Aug Fri / 2024
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MFAH Playdate
11:30 a.m.—12:30 p.m.Children 4 and younger, and their adult caregivers, are invited to enjoy a multi-sensory experience in the galleries with songs, stories, games, and activities.
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Evil Does Not Exist (Aku wa sonzai shinai)
7 p.m.—9 p.m.Ryûsuke Hamaguchi’s follow-up to his Oscar-winning Drive My Car is a foreboding fable on humanity’s mysterious, mystical relationship with nature.
03 Aug Sat / 2024
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Hashiguchi Goyō, “This Beauty” Poster for Mitsukoshi, 1911, color lithograph, Darrel C. Karl Collection. Photograph: Alex Jamison
Saturday Members Tour “Meiji Modern: Fifty Years of New Japan”
11:30 a.m.—12:30 p.m.MFAH members are invited to enjoy an inside look at the exhibition Meiji Modern: Fifty Years of New Japan.
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Hashiguchi Goyō, “This Beauty” Poster for Mitsukoshi, 1911, color lithograph, Darrel C. Karl Collection. Photograph: Alex Jamison
Saturday Members Tour “Meiji Modern: Fifty Years of New Japan”
12:30 p.m.—1:15 p.m.MFAH members are invited to enjoy an inside look at the exhibition Meiji Modern: Fifty Years of New Japan.
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Evil Does Not Exist (Aku wa sonzai shinai)
7 p.m.—9 p.m.Ryûsuke Hamaguchi’s follow-up to his Oscar-winning Drive My Car is a foreboding fable on humanity’s mysterious, mystical relationship with nature.